4 Catch Me if You Can - 96%. DreamWorks Pictures. Catch Me if You Can might be one of the most fun, smoothest films Spielberg ever directed, and the closest thing he ever did to Ocean’s Eleven
Jeśli jesteście fanami Forda Mustanga z filmu „Bullitt” lub postaci samego Franka Bullitta, odgrywanego przez Steve McQueen’a mamy dla was dobrą wiadomość. Według doniesień magazynu rozrywkowego Deadline Hollywood, Steven Spielberg ma podobno wyreżyserować nowy film „Bullitt”. Jak donosi Deadline Hollywood, nowy film Bullitt nie będzie remakeem oryginalnego filmu z 1968 roku. Zamiast tego będzie to oryginalna historia skoncentrowana na Franku Bullitcie, głównym bohaterze granym przez Steve'a McQueena. Kristie Macosko Krieger wyprodukuje film u boku Spielberga. Scenariusz napisze zdobywca Oscara Josh Singer. Oryginalny kultowy „Bullitt” W oryginalnym filmie McQuenn wciela się w postać detektywa z wydziału policji San Francisco, który polował na szefów mafii odpowiedzialnych za zabicie świadka w sprawie, nad którą pracował. Rola ta uważana jest za przełomową w karierze kultowego aktora. Natomiast sceny pościgów z filmu są uznawane za jedne z najbardziej ikonicznych w historii kina. Paląca kwestia pościgów Czy w nowej produkcji również będziemy świadkami tak spektakularnych pościgów? Tego na tym etapie jeszcze nie wiadomo, jednak biorąc pod uwagę to jaki charakter miała pierwsza część filmu jest to bardzo prawdopodobne. Źródła, z których korzystało Deadline Hollywood, donoszą, że scenariusz jeszcze nie powstał, a umowy są wciąż finalizowane. Oznacza to, że nie powinniśmy spodziewać się tego że film pojawi się w kinach w najbliższym czasie. Czytaj też:Quiz. Kultowe filmy z motoryzacją w tle, co o nich wiesz? Źródło: Deadline Hollywood
Film critic and author Molly Haskell, who explored Spielberg's works in her book Steven Spielberg: A Life in Films, is sure that "the Fievel saga is more deeply personal for Spielberg than 1993's
"West Side Story" to film, który otrzymał aż siedem nominacji do Oscarów 2022. Reżyserem tego obrazu jest Steven Spielberg. Ma on szansę na otrzymanie statuetki dla najlepszego reżysera. Kim jest Steven Spielberg i jakie jeszcze filmy stworzył? Przybliżamy jego twórczość i podajemy biografię. Steven Spielberg: kim jest reżyser nominowanego do Oscara 2022 filmu "West Side Story"? Spielberg kolejny raz otrzymał nominację do Oscara dla najlepszego reżysera. Wcześniej został już nagrodzony trzeba statuetkami. Z tego artykułu dowiesz się, kim jest Steven Spielberg i jakie jeszcze filmy wyreżyserował. Przybliżamy też jego także: Oscary 2022: NOMINACJE. Kto powalczy o statuetkę? "Psie pazury" faworytem [LISTA NOMINOWANYCH]Steven Spielberg: kim jest reżyser nominowany do Oscara 2022? [BIOGRAFIA]Steven Spielberg jest amerykańskim reżyserem, scenarzystą i producentem filmowym. Urodził się 18 grudnia 1946 roku w Cincinnati. Pochodzi z rodziny ortodoksyjnych Żydów. Zadebiutował w kinie w czasie nurtu Nowego Hollywoodu. Jest jednym z najbardziej uznanych i najsłynniejszych reżyserów w historii amerykańskiego kina. Jego praca została nagrodzona trzema Oscarami. Sławę zyskał za sprawą filmu "Szczęki" z 1975 roku, następnie " (1982) czy filmów z serii Indiana Jones. Spielberg od lat współpracuje z polskim operatorem - Januszem Kamińskim. Zobacz także Prywatnie aktor miał kilka partnerek. Pierwszą żonę, Amy Irving, poznał na przesłuchaniu do roli w "Bliskich spotkaniach trzeciego stopnia". Para wzięła ślub w 1984 roku, a rozwiodła się w 1989 roku. Spielberg ma syna Maxa (ur. 1985) ze związku z Irving. Następnie w 1991 roku wziął ślub z Kate Caphaw. Para ma pięcioro dzieci: Sashę Rebeccę (ur. 1990), Sawyera Avery'ego (ur. 1992), Destry Allyn (ur. 1996) oraz dwoje adoptowanych synów Theo (ur. 1988) i Mikaela George'a (1996).Oscary 2022: Steven Spielberg nominowany do nagrody [FILMY, NAGRODY]Steven Spielberg, poza "West Side Story", wyreżyserował następujące filmy: "Player One" "Czwarta władza" "Most szpiegów" "Lincoln" "Czas wojny" Filmy z serii "Indiana Jones" "Wojna światów" "Monachium" "Terminal" "Złap mnie, jeśli potrafisz" " Sztuczna inteligencja" "Szeregowiec Ryan" "Park Jurajski" "Lista Schindlera" " "Szczęki" Steven Spielberg ma na swoim koncie wiele prestiżowych nagród, oto niektóre z nich: OSCARY - najlepszy reżyser i film za "Lista Schindlera" (1994) oraz najlepszy reżyser za "Szeregowiec Ryan" (1999) ZŁOTE GLOBY - najlepszy reżyser za "Lista Schindlera" (1994) i najlepszy reżyser za "Szeregowiec Ryan" (1999) BAFTA - najlepszy film i nagroda za najlepszą reżyserię za "Lista Schindlera" (1994) CANNES - najlepszy scenariusz za "Sugarland Express" (1974) MFF w Wenecji - nagroda festiwalu przyszłości kina i najlepszy film za " Sztuczna inteligencja" (2001) SATURNY - najlepsza reżyseria za "Bliskie spotkania trzeciego stopnia" (1978), najlepsza reżyseria za "Poszukiwacze zaginionej Arki" (1982), najlepsza reżyseria za "Park Jurajski" (1994), najlepszy scenariusz za " Sztuczna inteligencja" (2002) i najlepsza reżyseria "Raport mniejszości" (2003) CRITICS CHOICE - najlepszy reżyser za "Szeregowiec Ryan" (1999) i najlepszy reżyser za "Raport mniejszości" i "Złap mnie, jeśli potrafisz" (2002) AMANDA - najlepszy film zagraniczny za "Lista Schindlera" (1994) Oscary 2022: gdzie obejrzeć film "West Side Story" w reżyserii Stevena Spielberga?Film "West Side Story" miał premierę pod koniec 2021 roku. Obecnie raczej nie jest wyświetlany w kinach. Nie jest też dostępny na żadnej platformie streamingowej. Oscary 2022: kiedy odbędzie się gala wręczenia nagród?94. rozdanie nagród Amerykańskiej Akademii Sztuki i Wiedzy Filmowej odbędzie się 27 marca 2022 roku. Zobacz także Rozlicz PIT i przekaż 1 procent Fundacji Radia Galeria Oscary 2022: 5 największych skandali w historii Oscarów [FOTO]
Steven Spielberg, who directed blockbusters like "Jaws," has owned real estate in California, NYC, and the Hamptons. Over his more than 50-year film career, Spielberg has directed and produced
20. Jurassic Park (1993) PG-13 | 127 min | Action, Adventure, Sci-Fi 0 Rate 22. Amistad (1997) R | 155 min | Biography, Drama, History 0 Rate Error: please try again. 63 Metascore In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free. Director: Steven Spielberg | Stars: Djimon Hounsou, Matthew McConaughey, Anthony Hopkins, Morgan Freeman Votes: 76,734 | Gross: $ 28. War of the Worlds (2005) PG-13 | 116 min | Action, Adventure, Sci-Fi 4 Rate 5 Rate 6 Rate 7 Rate 8 Rate 9 Rate 10 Rate 0 Error: please try again. 73 Metascore An alien invasion threatens the future of humanity. The catastrophic nightmare is depicted through the eyes of one American family fighting for survival. Director: Steven Spielberg | Stars: Tom Cruise, Dakota Fanning, Tim Robbins, Miranda Otto Votes: 445,274 | Gross: $ 29. Munich (2005) R | 164 min | Action, Drama, History 0 Rate 74 Metascore After the Black September capture and massacre of Israeli athletes at the 1972 Olympics, five men are chosen to eliminate the people responsible for that fateful day. Director: Steven Spielberg | Stars: Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds Votes: 225,797 | Gross: $
Steven Spielberg wanted to tell a very personal story with “ The Fabelmans ,” one that was going to leave the Oscar-winning director vulnerable and raw while shooting the semi-autobiographical
The director made The Kingdom of the Crystal Skull to 'humour' his alien-obsessed friend George Lucas. He would soon come to regret it Roderick Eric Davis was, officer Brent Hopkins of the Los Angeles Police Department’s burglary department, thought, “an unusual burglar”. Smartly dressed and carrying a messenger bag, Hopkins couldn’t make head nor tail of Davis when the LAPD’s burglary department picked him up after he’d been found hanging around in NBC Universal’s offices in Los Angeles in 2013. “Who knows if he wants to be a producer on the cheap, or has a strange fascination with the film business,” Hopkins said. This wasn’t the first time Davis had been brought in. Six years before his 2013 arrest, in a hotel room in Los Angeles, Davis met some prospective buyers for some images he’d come into possession of, hoping they might be interested in what he was selling. Then they arrested him. They were officers from the Los Angeles County Sheriff’s Department, and they informed him that he was being arrested on suspicion of being connected to the theft of “motion picture production budget and proofs” from an office on the Universal Studios complex. They’d set up a sting operation after detectives learned the pictures were being offered around to gossip websites and any other interested parties. Davis, they alleged, was trying to sell stolen images which gave away clues to the plot of the then-unreleased Indiana Jones and the Kingdom of the Crystal Skull. “We set up a sting and the guy was arrested. It was really great,” producer Frank Marshall told Empire at the time. “People actually said, ‘No, we’re going to respect Steven [Spielberg]’s vision.’” Such was the feverish anticipation for Indiana Jones’s fourth outing. In the 19 years since Harrison Ford – who recently turned 80 – and Sean Connery rode off into the sunset having stopped the Nazis getting their hands on the Holy Grail, attempts to get Indy back on screen had come and gone. That final shot of the third film was very pointed. George Lucas and Steven Spielberg on the set of Indiana Jones and The Kingdom of the Crystal Skull Credit: Alamy “I thought that brought the curtain down on the trilogy, and then we were all going to move on and mature into other aspects of filmmaking and I never thought I would see Indiana Jones again,” Spielberg said during the Crystal Skull promo rounds. Nevertheless, Spielberg, George Lucas and Ford talked occasionally in the early Nineties about what to do with Indy next, and always found themselves at odds. “Every once in a while a script would show up and it wouldn't be exactly what we hoped for one or the other of us,” Ford told Empire. “It took us all a long time to get on the same page.” Spielberg was particularly wary. “I was the holdout,” Spielberg said later. “I was the one that said, ‘I’m done with this series, it was great, let’s walk away.’” Lucas had hit on the idea of shifting the action into the Cold War, and paying homage not to the action-adventure serials of the Thirties but the sci-fi B-movies of the Fifties. Spielberg dug his heels in. “I said, ‘George, I don’t want to do aliens.’ I’d already done two alien movies. At the time I’d done ET and Close Encounters of the Third Kind. I didn’t want to do any more aliens. That was it. But George insisted.” The first draft was titled Indiana Jones and the Saucer Men; later it became Indiana Jones and the Attack of the Giant Ants, and Indiana Jones and the Mysterians. Even then, Spielberg thought he was “humouring” Lucas’ pet project, and vaguely anticipated throwing it to a younger director if it ever went anywhere. When Roland Emmerich’s Independence Day was a huge alien-based smash, Spielberg assumed that was that. They couldn’t do another massive alien invasion film now, he reasoned. But Lucas wouldn’t give up, and eventually came up with a compromise. These aliens weren’t aliens at all – they were interdimensional beings, he told Spielberg, and launched into an explanation of string theory. Out of a sense of duty to his old friend, and slightly worn down, Spielberg relented. “OK: these are interdimensional beings,” he said. “They’re not extraterrestrial, they’re interdimensional. Fine, fine. What are they going to look like? George said, ‘Well, like aliens. But we’ll call them interdimensional.’” Ford returned as Indiana Jones at the age of 64, attempting to stop the Russians getting their hands on a crystal skull so they could control the world’s populace telepathically. Every precaution was taken to prevent leaks. When he was asked to play Indy’s old war buddy Mac, Ray Winstone insisted on seeing a script. The production eventually allowed them to, but only by sending a member of staff from America bearing a single hard copy to his house. Winstone then had a couple of hours to read the script once, with the courier sitting in the room. As soon as Winstone was finished, the courier left with the script and headed straight for the airport. Despite Spielberg’s disquiet, the shoot went smoothly. But there was one thing the production couldn’t control. The build-up to the release of Crystal Skull saw one of the earlier examples of fans swapping scraps of information and homebrewed theories about a film’s plot on the internet long before it actually arrived. With a lack of detail on what Crystal Skull would actually entail, the film’s tie-in Lego sets, released well in advance of the film itself, became oracles of what fans could expect. Every tiny plastic piece was scrutinised and discussed at length, though the “River Chase” and “Jungle Cutter” sets revealed little other than that snakes would make their usual appearance, and that they’d be aided and abetted by giant ants. A third set, based on the climax at the Mayan temple, was more helpful. Despite the attempts to keep things secret, fans worked out early on that the mini-figurines which looked like translucent skeletons were aliens and that the telltale Lego scowl on Cate Blanchett’s figurine meant she would turn out to be a villain. Spielberg was upset by the early reveals, but Lucas was more philosophical. Harrison Ford as the archaeologist-cum-adventurer Credit: Allstar “Steven will say, ‘Oh, everything's out on the internet – what this is and what that is,’” he later told Empire. “And to that I say, ‘Steven, it doesn't make any difference!’ Look, Jaws was a novel before it was a movie, and anybody could see how it ended. Didn’t matter.” Leaks kept coming though. Actor Tyler Nelson had been cast as a Russian soldier who celebrated Jones’s capture by dancing to balalaika music, and was apparently so excited he gave an interview to the Edmond Sun, his hometown newspaper in Oklahoma. “Apparently the Soviet army was searching for a skull in the jungles of South America and Indiana Jones was searching as well,” Nelson said. Tyler then blabbed that the Russians would blackmail Jones by threatening to kill Marion, the mother of his son Mutt, and that Blanchett – who had remained totally silent about what her involvement would entail – played an evil Russian operative. “I saw Harrison Ford strapped to a chair and being interrogated,” he added cheerily. The production team took a dim view, and a Supreme Court order which charged him with violating a confidentiality agreement was settled out of court. Nelson’s balalaika dancing was reportedly cut from the finished film. Though some reviews were lukewarm, Crystal Skull set a new mark for Indiana Jones at the box office with $790 million taken worldwide. But the moment that leapt out of Crystal Skull was one which had been floating around in the back of Spielberg’s head since he’d executive produced Back to the Future. The original ending of Bob Gale and Robert Zemeckis’s script saw Marty McFly and Doc Brown sending Marty back to 1985 not with a lightning strike to the Hill Valley clock tower, but by driving the DeLorean straight into the blast zone of a nuclear bomb test and riding the explosion home. (L-R): Shia LaBeouf, Steven Spielberg, Ray Winstone, Karen Allen and Harrison Ford Credit: Alamy The sequence would have entailed building and then destroying a “nuketown” – a collection of buildings in different styles and materials populated by mannequins which was used to measure the damage a bomb could do to a typical American town – and was dropped when an extra $1 million had to be knocked off the budget. It was worked into Crystal Skull and much remained exactly the same: the bomb dropping from a metal tower; a dash around a perfect, clapper-boarded model home full of dummies; a montage of plastic people melting horrifically as the bomb’s fireball engulfs the town. The pay-off, though, was that Jones would survive a multi-megaton nuclear bomb and temperatures hotter than the surface of the sun by clambering into an empty lead-lined fridge. When the film came out, critics and fans were quick to point out that even if Indy had managed to avoid being vaporised by the blast, he’d probably have struggled to avoid being turned into mush when the fridge was thrown hundreds of metres away from the explosion. Soon, the phrase “nuking the fridge” had overtaken “jumping the shark” as a way of describing something collapsing under the weight of its own ludicrousness. “I’m proud of that,” Spielberg said. “I’m glad I was able to bring that into popular culture.” Spielberg tried to shield Lucas from blame for the scene, but Lucas told the New York Times that it was the other way around; Spielberg wasn’t sure, but Lucas liked it so much he compiled a six-inch-thick dossier of evidence that Indy wouldn’t have been carbonised or pulverised. “The odds of surviving that refrigerator – from a lot of scientists – are about 50-50,” Lucas insisted. After a drawn-out birth, there was a drawn-out aftermath to Crystal Skull too. Spielberg admitted to being less than thrilled with the way it panned out. There were “big arguments” between the two friends about the crystal skulls and their powers, he said later. “I didn’t want these things to be either aliens or interdimensional beings,” he said. “But I am loyal to my best friend. When he writes a story he believes in – even if I don't believe in it – I'm going to shoot the movie the way George envisaged it.” The crystal skulls were still causing headaches after the film came out. They’re said by some to be ancient artefacts made by Mayan communities, though recent examinations have shown them to be 20th-century hoaxes. One academic from Belize took issue with the film co-opting them. Shia LaBeouf and Karen Allen as Mutt Williams and Marion Ravenwood Credit: Allstar In 2012, Dr Jaime Awe, an expert in Mayan culture and archaeology who taught at universities in Canada and the United States, filed a lawsuit against LucasFilm, Disney and Paramount Pictures because in his view Hollywood was exploiting Belizean culture for “illegal profits”. The crystal skulls of Crystal Skull were, he thought, designed after a skull “found” in Belize in 1924 by English adventurer FA Mitchell-Hedges. “LucasFilm never sought, nor was given permission to utilise the Mitchell-Hedges Skull or its likeness in the film,” the lawsuit said. “Driven by its success in theaters, both LucasFilm and Paramount continue to profit from the continued distribution of the Film on home media and online video sources. To date, Belize has not participated in any of the profits derived from the sale of the Film or the rights thereto.” The suit was eventually dismissed. Even if he was unhappy, Spielberg expected his cast to stay on message. Shia LaBeouf, who played Indy’s greaser son Mutt, did exactly the opposite in an LA Times interview at Cannes in 2010. “We [Harrison Ford and LaBeouf] had major discussions. He wasn’t happy with it either. Look, the movie could have been updated. There was a reason it wasn’t universally accepted.” He was particularly critical of a sequence in which Mutt swung on vines through the jungle canopy with dozens of monkeys. “I think he’s [Spielberg’s] a genius, and he’s given me my whole life. He’s done so much great work that there’s no need for him to feel vulnerable about one film. But when you drop the ball you drop the ball.” Cate Blanchett as Irina Spalko, a villainous Soviet agent Credit: Alamy LaBeouf’s disinclination to defend the film irked Spielberg. “He told me there’s a time to be a human being and have an opinion, and there’s a time to sell cars,” LaBeouf later said. “It brought me freedom, but it also killed my spirits because this was a dude I looked up to like a sensei.” The director he found was “less a director than he is a f***ing company,” LaBeouf said. Ford sided with Spielberg and let LaBeouf know it. “I think he was a f***ing idiot,” Ford told Details in 2011. “As an actor, I think it’s my obligation to support the film without making a complete ass of myself.” LaBeouf was unrepentant. “I remember him [Spielberg] saying to me, ‘Tom Cruise never picks his nose in public,’” Laboeuf told Interview. “And all I thought was, I don’t want to be Tom Cruise.” Ford has steadfastly refused to pick his nose over Crystal Skull, though a short snort when the film came up in a Vanity Fair interview perhaps said more than he meant it to. “I really enjoyed each of the films and the different experiences I had in each of the films,” he said diplomatically, “and the people that I worked with.”
The Color Purple (1985) SalukiKnightX points to one of Spielberg's lesser talked about movies, The Color Purple, as his best effort. The Redditor makes an interesting point, noting, "Everyone seems to forget he directed The Color Purple as his first non-genre film. Prior to that film, his critics used to say he was just a genre filmmaker."
Studio Universal od jakiegoś czasu chciałoby powołać do życia nową wersję filmu "Szczęki". Na drodze temu pomysłowi stoi twórca oryginału - Steven Spielberg. Czy kultowe "Szczęki" pójdą drogą innych słynnych serii i zostaną zrebootwane? Tego chcieliby przedstawiciele studia Universal. Przeciwny nowej wersji filmu jest jednak twórca oryginału - Steven Spielberg, który kategorycznie odmawia majstrowania przy jednym z jego najsłynniejszych tytułów."Szczęki" - powstanie nowa wersja filmu Stevena Spielberga?Chociaż mogłoby się wydawać, że rebooty, remaki i sequele to nowy wynalazek, zjawiska te istnieją w branży filmowej od bardzo dawna. W końcu jedną z podwalin Hollywood jest zarabianie pieniędzy. W ostatnich kilku dekadach tendencja do opowiadania na nowo ciągle tej samej historii jest jednak coraz powszechniejsza. Z tego powodu co jakiś czas odświeża się klasykę, prezentując jej nową wersję. Jak podaje Deadline, z jednego z raportów wynika, że Universal od dawna przymierza się do rebootu "Szczęk". Spielberg stojący na czele Amblin Productions kategorycznie odmówił udzielenia zgody na realizację nowej wersji filmu, mimo że proponowano mu nadzór nad tytułem w roli producenta wykonawczego. Rozmowa pomiędzy szefami Universal a Spielbergiem odbyła się jakiś czas temu, ale raport nie mówi dokładnie, kiedy miała miejsce. Nie zanosi się jednak na zmianę zdania cenionego nie pierwszy tego typu przypadek. Podobne stanowisko przyjęli Robert Zemeckis i Bob Gale - twórcy serii "Powrót do przyszłości", którzy zawarli stosowną umowę z Amblin i Universal z zapisem dotyczącym ewentualnej kontynuacji czy rebootu. Nikt nie ma prawa dotykać serii bez wcześniejszej zgody obu twórców. Najwidoczniej podobnie jest w przypadku "Szczęk". Zobacz także 14 Słynna produkcja Spielberga z 1975 roku, będąca nowatorskim połączeniem horroru i thrillera, była ogromnym sukcesem artystycznym i komercyjnym. Historia na bazie książki Petera Benchleya pod tym samym tytułem, doczekała się trzech sequeli, ale nie powtórzyły one wyników oryginału. "Szczęki" stały się jednak marką samą w sobie i zapoczątkowały nowy podgatunek filmów, kontynuowany do dziś. Chcesz być na bieżąco? Dołącz do grupy "Filmy i seriale - newsy i dyskusje fanów" na
Once Steven Spielberg realized that he has made a mistake with the tweaks, he worked with Universal Pictures to release a two-film DVD set of "E.T." that would contain both cuts of the film
Here are his Best Five Steven Spielberg Visual Effects films :-. Jurassic Park is 1993 Hollywood Science fiction adventure film directed by Steven Spielberg. In this film, Dinosaurs were created with computer-generated Imagery by ILM (Industrial Light and Magic) and giant Animatronic Tyrannosaurus Rex, largest sculpture made by Stan Winston’s
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steven spielberg nowy film
